Konkoba (sample)
Krin NYC (sample)
DiDaDi (sample)
01 - Fei Fo
02 - Kuku Mano
03 - Djole-Brazil
04 - Krin NYC
05 - Yamama
06 - Di Da Di
07 - Soboninkun
08 - Soworoba
09 - Konkoba
10 - Wula
11 - Douna
12 - Mamaya
13 - Djembe Kan
14 - Boreya
Boreya, Susu for "friendly", is M'Bemba's fourth album as a leader. It is jam-packed with djembe action: Traditional Rhythms, Original Arrangements, Djembe Kan, and more.
Boreya reaches across New York's cultural melting pot, featuring amazing artists from Mali, Senegal, Burkina Faso, Brazil, Cuba, and of course, Guinea!
More than 20 musicians contribute to this groundbreaking project that shows off M'Bemba’s virtuosity, power, and and seasoned veteran status.
Featuring special guests including Jorge Alabe, Moussa Traore, Roman Diaz, Melissa Hei, Famoro Dioubate, and more!
1. Fei Fo
In Upper Guinea, before the holiday of Tabaski, drummers go around from house to house to thank each family. They surprise them with some fruits, calabash or some gift, and the families give back something. A festive rhythm. Contemparary version of Traditional Rhythm. Arrangements by M'bemba
2. Kuku Mano - featuring Moussa Troare
From Beyla - Forest region of Guinea, Mano people. Celebration of when the women come back from the river after fishing. Rhythm Traditional, arrangement by Mbemba.
3. Djole-Brazil - featuring Jorge Alabe
Rhythm Djole (Guinea/Sierra Leone) and Samba (Brazil). Collaboration between Jorge and Mbemba.
4. Krin NYC
The Krin (log drum) from Guinea. Arrangements by Mbemba (from Sinte and Markru).
5. Yamama
Forécariah - Guinea. Village of Samou. Ballet Version, traditionally a mask dance. Arrangements by Mbemba.
6. Di Da Di - featuring Moussa Traore
Traditional Rhythm presented and arranged by Moussa Traore from Mali.
7. Soboninkun - featuring Román Díaz
Ballet version of Mask Dance Rhythm, Sobonunkum (from Siguiri, Upper Guinea), and Bata Drum Rhythms from Cuba. The sangban part reminded Mbemba of when Djoliba Ballet ( National Ballet of Guinea), would be on tour, performing in Cuba and saw the relationship between the African and Cuba rhythms. Collaboration betweem Román Díaz and Mbemba.
8. Soworoba- featuring Ibrahima Diagne, and Modou Sarr (R.I.P.)
Originates with the Djola people, but also adapted by malinke people who migrited to Boke region of Guinea years ago. it is actually the name of a drum, similar to Kurtiro (Gambia), or Sabar (Senegal) but is larger. Ballet mix with the djembe, more modern, Guinea influence. Arrangements is by Mbemba and Ibrahima Diagne (Sabar). Modou Sarr on Tama drum (Senegal) - (He passed shortly after making this recording. Modou- R.I.P.!)
9. Konkoba
From Faranah. Harvest before rainy season. Adama Diarra - flute, Malinke.
10. Wula
Conakry, Conakry I Ballet Mbemba played his as a teenager! Inspiration before national company.
11. Douna- featuring Mélissa Hie
Creation as tribute to village of Douna, Burkino Faso, where Melissa's parents are from. Mélissa presented the rhythm and arrangements to the group with some arrangements added by Mbemba.
12. Mamaya- featuring Famoro Dioubate
Balafon music of Kankan, Guinea Starting in the 1960's a popular song played during the Tabaski holiday, by Griot on the balafon.
13. Djembe-Kan
Improvised solo by M'Bemba Bangoura
14. Boreya- featuring Famoro Dioubate
Creation of M'Bemba and Famoro. Michael Markus concept: to have Mbemba and Famoro do a song just themselves, to show their friendship and musical mastery.
PRODUCER - MICHAEL MARKUS/WULA DRUM
CO-PRODUCER - AMON DRUM
EXECUTIVE PRODUCER - MICHAEL MARKUS/WULA DRUM
RECORDED AT THE BRIDGE STUDIO, BROOKLYN NY
RECORDING ENGINEER - AMON DRUM
ASSISTANT ENGINEER - UROSH JOVANOVICH
ASSISTANT ENGINEER - GREG TOCK
STAFF ASSISTANT - BRIANNA COFIELD
MIXED BY AMON DRUM
MASTERED BY HANS-PHILIPP GRAF (HP MASTERING) & AMON DRUM
INSTRUMENTS (DJEMBE, KRIN, DUNDUN, BELLS) PROVIDED BY WULA DRUM
PROFESSIONAL PHOTOGRAPHY - STEVEN ANDERSON
RECORDING STUDIO PHOTOS - MICHAEL MARKUS
ARTWORK - JOHN DOING
NICO DEL AGUILA
IN MEMORY - MODU SARR
Knowing Mbemba for more than 30 years, I have been fortunate to witness his complete artistry - as a musician, a teacher, a performer, a historian, and ambassador of his culture from Guinea, West Africa. For years, M’bemba and I have discussed the similarities and differences of Djembe rhythms compared to that of other rhythms from different cultures of African and the African Diaspora.
This project is a reflection of just that. And for me to be a part of the creative process, witness the collaboration between musicians, void of ego, all dedicated to the music, is truly a special moment of my life. I’m amazed with how traditional music can remain consistent in form, through history, as well as also be flexible to meld into new ideas, contemporary expressions and create a new spark with in its realm. That is M’bemba’s approach. Keep the tradition in tact, as well as create something new. To bring people together, in the moment, and become friends in the music. Boreya! Music sure is good for the soul.
-Michael Markus